Colour Grading
Colour grading serves to harmonize the colour and light of a film, and over and above that establishes an atmosphere, directs the gaze, underpins a mood. Charbon uses cutting edge colour grading software : DaVinci Resolve.
Equipment
- Blackmagic DaVinci Resolve : HD real time playback of all formats, including Red 4K, Alexa and DPX
- Apple Color
- Tangent Wave control surface
- Colour treatment : CineSpace by Cinetal, LightSpace by LightIllusion, Calman by Spectracal
- Colour analysis Blackmagic Ultrascope, X-rite Hubble
- projection: projector HD JVC RS25 1920x1080, screen 8m2
- in-house softwares : for conformation, edl manipulation, the managing of image sequences.
Filmography
-
Standing EagleStanding Eagleby Frederik Depickere, Pablo Castilla
- Standing Eagle
- Frederik Depickere, Pablo Castilla
- DVCPROHD
- Cobra, CBA
- Colour grading
- 05/20/11
-
Red RoomRed Roomby Isabella Soupart
- Red Room
- Isabella Soupart
- Cobra films
- Colour grading, finishing touches
- 04/20/11
-
la Version du Loupla Version du Loupby Ann Sirot et Raphaël Balboni
- la Version du Loup
- Ann Sirot et Raphaël Balboni
- Jorge Piquer Rodriguez
- 550D
- Frakas
- Colour grading, digital intermediate (HD shoot Log on AatonK), subtitling, dvd authoring
- 02/16/11
-
RafiRafiby Sandra Fassio
- Rafi
- Sandra Fassio
- Colin Leveque
- Alexa
- Neon Rouge
- Colour grading, finishing touches
- 10/15/11
-
L'Ivresse d'Une OasisL'Ivresse d'Une Oasisby Hachimiya Ahamada
- L'Ivresse d'Une Oasis
- Hachimiya Ahamada
- DV
- Shõnagon Films
- Colour grading, finishing touches
- 06/10/11
-
SpectresSpectresby Sven Augustijnen
- Spectres
- Sven Augustijnen
- P2
- Auguste Orts
- Colour grading, finishing touches, digital intermediate
- 09/09/11
-
KyrkogårdsöKyrkogårdsöby Joakim Chardonnens
- Kyrkogårdsö
- Joakim Chardonnens
- S16 mm
- Intermezzo Films
- Colour grading, finishing touches, digital intermediate
- 09/07/11
-
En attenteEn attenteby Naël Khleifi
- En attente
- Naël Khleifi
- DV
- CBA, Sourat Films
- Colour grading
- 09/06/11
-
Sderot, seconde classeSderot, seconde classeby Osvalde Lewat
- Sderot, seconde classe
- Osvalde Lewat
- HDV
- AMIP, Waza Images, Neon Rouge
- Colour grading
- 06/06/11
-
LegbaLegbaby Sarah Hirtt
- Legba
- Sarah Hirtt
- Léo Lefèvre
- HDV
- Atelier de réalisation
- Colour grading
- 05/06/11
-
BraiaBraiaby Carole Messmer
- Braia
- Carole Messmer
- Nicolas François
- super-16mm
- Editing, colour grading
- 10/05/11
-
Corps EtrangerCorps Etrangerby Christophe Hermans
- Corps Etranger
- Christophe Hermans
- XDCAM
- Frakas
- Colour grading, finishing touches
- 06/05/11
-
Rendez-vous aux cieuxRendez-vous aux cieuxby Rendez-vous aux cieux
- Rendez-vous aux cieux
- Rendez-vous aux cieux
- Aurélian Pechmeja
- Inward Productions
- Colour grading
- 04/05/11
-
FritkotFritkotby Manuel Poutte
- Fritkot
- Manuel Poutte
- Bernard Vervoort
- 5d, xdcam
- Lux Fugit Film
- speed adapted from 30 fps to 25 fps, colour grading correction, Broadcast Ready prep.
- 06/30/10
-
Tao m'a ditTao m'a ditby Léo Médard
- Tao m'a dit
- Léo Médard
- HDV
- Insas
- Colour grading
- 06/25/10
-
AikidoAikidoby Charbon-Studio
- Aikido
- Charbon-Studio
- Nicolas François
- Red 4K et Red 2K @100 fps
- Arnaud Beelen
- conception, directing, editing, colour grading, effects
- 11/21/10
-
DissonanceDissonanceby Anne Leclercq
- Dissonance
- Anne Leclercq
- Raul Fernandez
- Hdcam
- Frakas
- Colour grading, digital intermediate (HD Lin shoot on Lasergraphics), subtitles, dvd authoring
- 06/20/10
-
Ce qui tientCe qui tientby Célia Dessardo
- Ce qui tient
- Célia Dessardo
- Benjamin Morel
- xdcam
- IAD
- Colour grading
- 04/20/10
-
Claire , ik en mijn broerClaire , ik en mijn broerby Maris De Smedt
- Claire , ik en mijn broer
- Maris De Smedt
- xdcam
- Sputnik.tv
- 12/18/10
-
Après la GaucheAprès la Gaucheby Jérémy Forni
- Après la Gauche
- Jérémy Forni
- Red
- Cie des Phares et Balises, Chevaldeuxtrois, Crossroads digital média
- Last minute conformation following difficulties encountered by colleagues, colour grading.
- 07/18/10
-
Joueur Hors catégorieJoueur Hors catégorieby Loren Claessens
- Joueur Hors catégorie
- Loren Claessens
- Fanny Friadt
- Xdcam
- Mediadiffusion
- Colour grading
- 06/18/10
-
Métiers d'ArtMétiers d'Artby Lyonnel Garnier
- Métiers d'Art
- Lyonnel Garnier
- xdcam
- Image 2 (Switzerland) et Lyonnel Garnier (France)
- Colour grading
- 10/15/10
-
Mélodies en sous-solMélodies en sous-solby Sébastien Cools
- Mélodies en sous-sol
- Sébastien Cools
- xdcam
- Colour grading
- 07/15/10
-
Route 66Route 66by Romu Voye
- Route 66
- Romu Voye
- red
- IAD
- Colour grading
- 06/14/10
-
Abandon de PosteAbandon de Posteby Mohamed Bouhari
- Abandon de Poste
- Mohamed Bouhari
- Anne Waerenburgh
- super 16mm
- Insas
- Colour grading
- 04/14/10
-
Nuit BlancheNuit Blancheby Samuel Tilman
- Nuit Blanche
- Samuel Tilman
- Frédéric Noirhomme
- xdcam
- Eklektik
- Colour grading for transfer to film (Filmik HD)
- 04/12/10
-
EcosseEcosseby Julien Doigny
- Ecosse
- Julien Doigny
- Tristan Galand
- 16mm
- slow-motion, digital intermediate for film transfer log
- 11/10/10
-
De RetourDe Retourby Camille Laufer
- De Retour
- Camille Laufer
- Pauline Richon
- xdcam
- Colour grading
- 10/10/10
-
Mal de mèreMal de mèreby Christophe Istace
- Mal de mère
- Christophe Istace
- Michaël Pirard
- xdcam
- Loupiote
- Colour grading
- 08/10/10
-
ThermesThermesby Banu Akseki
- Thermes
- Banu Akseki
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 05/10/10
-
le Testament Amoureux de Nelle Testament Amoureux de Nelby André Dartevelle
- le Testament Amoureux de Nel
- André Dartevelle
- Didier Guillain, Nicolas François
- hdv
- Halolalune
- Colour grading, effects, preparation for TV broadcast play-outs (ARTE, RTBF)
- 03/10/10
-
Hasards AnonymesHasards Anonymesby Natalia Duque
- Hasards Anonymes
- Natalia Duque
- Agathe Corniquet
- Red
- Insas
- Colour grading
- 06/06/10
-
Bang BangBang Bangby Raphaël Letoux Lungo
- Bang Bang
- Raphaël Letoux Lungo
- Atelier de réalisation
- Colour grading, finishing touches
- 06/05/10
-
A l'InterieurA l'Interieurby Raphaël Letoux Lungo
- A l'Interieur
- Raphaël Letoux Lungo
- DV
- Insas
- Colour grading
- 07/04/10
-
Sredni VashtarSredni Vashtarby Alana Osbourne
- Sredni Vashtar
- Alana Osbourne
- Pauline Richon
- red
- Atelier de réalisation
- Colour grading
- 05/03/10
-
OriginesOriginesby Eric Cayron
- Origines
- Eric Cayron
- Thierry Goron
- Red 4K
- la Rose des Vents
- 4K digital intermediate for 4K shoot on AatonK (Filmik)
- 10/01/10
-
la Ballade d'Almala Ballade d'Almaby Camille Laufer
- la Ballade d'Alma
- Camille Laufer
- Laure Porter
- Red
- Insas
- colour grading, 4K digital intermediate
- 06/01/10
-
MarthaMarthaby Raphaël Dethier
- Martha
- Raphaël Dethier
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 04/01/10
-
un Matin d'Alouhaun Matin d'Alouhaby Delphine Lanson
- un Matin d'Alouha
- Delphine Lanson
- Cédric Russo
- h264
- Anomalie
- Slow motions, Colour grading
- 03/01/10
-
NargizNargizby Sévara Irgacheva
- Nargiz
- Sévara Irgacheva
- Nicolas François
- red 4K
- Colour grading, digital intermediate, effects
- 02/01/10
Editing
By the association of image and sound fragments, editing allows you to tell a story. Providing the technology for this creative process, Charbon manages all tape and tapeless formats. Editing work is done with a projected film, with a better feel for the material.
Equipment
- Apple Final Cut Pro
- Adobe Premiere
- Adobe After Effects
- projection: projector HD JVC RS25 1920x1080, screen 8m2
- in-house softwares : for RED workflows, Final cut Pro assistance, transfer from Final Cut Pro to Avid, edl manipulation and audio conformation
Filmography
-
BraiaBraiaby Carole Messmer
- Braia
- Carole Messmer
- Nicolas François
- super-16mm
- Editing, colour grading
- 10/05/11
-
AikidoAikidoby Charbon-Studio
- Aikido
- Charbon-Studio
- Nicolas François
- Red 4K et Red 2K @100 fps
- Arnaud Beelen
- conception, directing, editing, colour grading, effects
- 11/21/10
-
L'Oiseau VertL'Oiseau Vertby Rafistole Théâtre
- L'Oiseau Vert
- Rafistole Théâtre
- dv-cam
- Editing
- 02/04/10
Finishing touches
For the finishing touches brought to your film, Charbon puts its know-how at your disposal. Come to our studios to discover the tools and equipment that will allow you to create your credits, titles, subtitles, grain reduction, stabilization and special effects…
Equipment
- Adobe After Effects
- Re:Vision plugins
- Nuke
- in-house softwares : for subtitling and Credits/Titling
- projection: projector HD JVC RS25 1920x1080, screen 8m2
Filmography
-
Red RoomRed Roomby Isabella Soupart
- Red Room
- Isabella Soupart
- Cobra films
- Colour grading, finishing touches
- 04/20/11
-
la Version du Loupla Version du Loupby Ann Sirot et Raphaël Balboni
- la Version du Loup
- Ann Sirot et Raphaël Balboni
- Jorge Piquer Rodriguez
- 550D
- Frakas
- Colour grading, digital intermediate (HD shoot Log on AatonK), subtitling, dvd authoring
- 02/16/11
-
RafiRafiby Sandra Fassio
- Rafi
- Sandra Fassio
- Colin Leveque
- Alexa
- Neon Rouge
- Colour grading, finishing touches
- 10/15/11
-
L'Ivresse d'Une OasisL'Ivresse d'Une Oasisby Hachimiya Ahamada
- L'Ivresse d'Une Oasis
- Hachimiya Ahamada
- DV
- Shõnagon Films
- Colour grading, finishing touches
- 06/10/11
-
SpectresSpectresby Sven Augustijnen
- Spectres
- Sven Augustijnen
- P2
- Auguste Orts
- Colour grading, finishing touches, digital intermediate
- 09/09/11
-
KyrkogårdsöKyrkogårdsöby Joakim Chardonnens
- Kyrkogårdsö
- Joakim Chardonnens
- S16 mm
- Intermezzo Films
- Colour grading, finishing touches, digital intermediate
- 09/07/11
-
BraiaBraiaby Carole Messmer
- Braia
- Carole Messmer
- Nicolas François
- super-16mm
- Editing, colour grading
- 10/05/11
-
Corps EtrangerCorps Etrangerby Christophe Hermans
- Corps Etranger
- Christophe Hermans
- XDCAM
- Frakas
- Colour grading, finishing touches
- 06/05/11
-
FritkotFritkotby Manuel Poutte
- Fritkot
- Manuel Poutte
- Bernard Vervoort
- 5d, xdcam
- Lux Fugit Film
- speed adapted from 30 fps to 25 fps, colour grading correction, Broadcast Ready prep.
- 06/30/10
-
AikidoAikidoby Charbon-Studio
- Aikido
- Charbon-Studio
- Nicolas François
- Red 4K et Red 2K @100 fps
- Arnaud Beelen
- conception, directing, editing, colour grading, effects
- 11/21/10
-
DissonanceDissonanceby Anne Leclercq
- Dissonance
- Anne Leclercq
- Raul Fernandez
- Hdcam
- Frakas
- Colour grading, digital intermediate (HD Lin shoot on Lasergraphics), subtitles, dvd authoring
- 06/20/10
-
EcosseEcosseby Julien Doigny
- Ecosse
- Julien Doigny
- Tristan Galand
- 16mm
- slow-motion, digital intermediate for film transfer log
- 11/10/10
-
Mal de mèreMal de mèreby Christophe Istace
- Mal de mère
- Christophe Istace
- Michaël Pirard
- xdcam
- Loupiote
- Colour grading
- 08/10/10
-
ThermesThermesby Banu Akseki
- Thermes
- Banu Akseki
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 05/10/10
-
le Testament Amoureux de Nelle Testament Amoureux de Nelby André Dartevelle
- le Testament Amoureux de Nel
- André Dartevelle
- Didier Guillain, Nicolas François
- hdv
- Halolalune
- Colour grading, effects, preparation for TV broadcast play-outs (ARTE, RTBF)
- 03/10/10
-
Hasards AnonymesHasards Anonymesby Natalia Duque
- Hasards Anonymes
- Natalia Duque
- Agathe Corniquet
- Red
- Insas
- Colour grading
- 06/06/10
-
Bang BangBang Bangby Raphaël Letoux Lungo
- Bang Bang
- Raphaël Letoux Lungo
- Atelier de réalisation
- Colour grading, finishing touches
- 06/05/10
-
Sredni VashtarSredni Vashtarby Alana Osbourne
- Sredni Vashtar
- Alana Osbourne
- Pauline Richon
- red
- Atelier de réalisation
- Colour grading
- 05/03/10
-
OriginesOriginesby Eric Cayron
- Origines
- Eric Cayron
- Thierry Goron
- Red 4K
- la Rose des Vents
- 4K digital intermediate for 4K shoot on AatonK (Filmik)
- 10/01/10
-
la Ballade d'Almala Ballade d'Almaby Camille Laufer
- la Ballade d'Alma
- Camille Laufer
- Laure Porter
- Red
- Insas
- colour grading, 4K digital intermediate
- 06/01/10
-
MarthaMarthaby Raphaël Dethier
- Martha
- Raphaël Dethier
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 04/01/10
-
un Matin d'Alouhaun Matin d'Alouhaby Delphine Lanson
- un Matin d'Alouha
- Delphine Lanson
- Cédric Russo
- h264
- Anomalie
- Slow motions, Colour grading
- 03/01/10
-
NargizNargizby Sévara Irgacheva
- Nargiz
- Sévara Irgacheva
- Nicolas François
- red 4K
- Colour grading, digital intermediate, effects
- 02/01/10
Digital Intermediate
DI serves to digitalize film stock, making it possible to work on colour grading, and then do the reverse operation to finish in celluloid. This process includes the choice of film transfer technique, the colour grading, the rendering of the film in maximum quality and supervision of the film lab procedures.
Equipment
- Colour treatment : CineSpace by Cinetal, LightSpace by LightIllusion, Calman by Spectracal
- Colour analysis Blackmagic Ultrascope, X-rite Hubble
- projection: projector HD JVC RS25 1920x1080, screen 8m2
- In-house softwares : film roll control and transfer to disk, edl management, scan edl generation
Filmography
-
la Version du Loupla Version du Loupby Ann Sirot et Raphaël Balboni
- la Version du Loup
- Ann Sirot et Raphaël Balboni
- Jorge Piquer Rodriguez
- 550D
- Frakas
- Colour grading, digital intermediate (HD shoot Log on AatonK), subtitling, dvd authoring
- 02/16/11
-
RafiRafiby Sandra Fassio
- Rafi
- Sandra Fassio
- Colin Leveque
- Alexa
- Neon Rouge
- Colour grading, finishing touches
- 10/15/11
-
SpectresSpectresby Sven Augustijnen
- Spectres
- Sven Augustijnen
- P2
- Auguste Orts
- Colour grading, finishing touches, digital intermediate
- 09/09/11
-
KyrkogårdsöKyrkogårdsöby Joakim Chardonnens
- Kyrkogårdsö
- Joakim Chardonnens
- S16 mm
- Intermezzo Films
- Colour grading, finishing touches, digital intermediate
- 09/07/11
-
BraiaBraiaby Carole Messmer
- Braia
- Carole Messmer
- Nicolas François
- super-16mm
- Editing, colour grading
- 10/05/11
-
DissonanceDissonanceby Anne Leclercq
- Dissonance
- Anne Leclercq
- Raul Fernandez
- Hdcam
- Frakas
- Colour grading, digital intermediate (HD Lin shoot on Lasergraphics), subtitles, dvd authoring
- 06/20/10
-
Nuit BlancheNuit Blancheby Samuel Tilman
- Nuit Blanche
- Samuel Tilman
- Frédéric Noirhomme
- xdcam
- Eklektik
- Colour grading for transfer to film (Filmik HD)
- 04/12/10
-
EcosseEcosseby Julien Doigny
- Ecosse
- Julien Doigny
- Tristan Galand
- 16mm
- slow-motion, digital intermediate for film transfer log
- 11/10/10
-
ThermesThermesby Banu Akseki
- Thermes
- Banu Akseki
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 05/10/10
-
OriginesOriginesby Eric Cayron
- Origines
- Eric Cayron
- Thierry Goron
- Red 4K
- la Rose des Vents
- 4K digital intermediate for 4K shoot on AatonK (Filmik)
- 10/01/10
-
la Ballade d'Almala Ballade d'Almaby Camille Laufer
- la Ballade d'Alma
- Camille Laufer
- Laure Porter
- Red
- Insas
- colour grading, 4K digital intermediate
- 06/01/10
-
MarthaMarthaby Raphaël Dethier
- Martha
- Raphaël Dethier
- Manuel Dacosse
- red
- Frakas
- 4K digital intermediate for 4K shoot on Lasergraphics (MotionFx), subtitling, dvd authoring
- 04/01/10
-
NargizNargizby Sévara Irgacheva
- Nargiz
- Sévara Irgacheva
- Nicolas François
- red 4K
- Colour grading, digital intermediate, effects
- 02/01/10
"A relationship of trust has been established thanks to their great professionalism and concern to understand the needs. The reactivity and flexibility of Charbon made of them a long-term partner. "
Aurélien Bodinaux, Néon Rouge Productions« Committed, creative and precise work »
Sven Augustijnen, film maker"They work rigorously and are technically very competent, which is what you expect at this stage in the film process, and on top of that they have created in their studio a warm and creative atmosphere."
Banu Akseki, film-maker"I appreciated Charbons work; a subtle approach, putting their energy into making the film dramatically stronger, through collaboration and without technical smokescreening."
Raphaël Dethier, director"A competent, serious, available and very comptetive team for the complete post-production workflow of my film ‘Origines’."
Eric Cayron, director"I was very impressed by your rigour, your speed of execution, your efficiency, but also by your ability to listen and your generous imagination."
Anouchka Blavier-Dewarichet, Lux Fugit Film"Serious work completed within the deadlines, intelligent and precise advice, friendly and available: all qualities that allowed me to complete the post-production of my project without unnecessary stress."
Sébastien Cools, director"They know how to put new technologies at the service of the project's artistic needs with a lot of professionalism."
Natalia Duque, director"At Charbon Studio, footage , down to its most minute pixel is worked on with an extreme rigour. Finalising your film in these conditions is just perfect !"
Anne Leclerq, director"Charbon offer precision, they are good listeners, they make real suggestions, creating a dialogue, all this underpinned with professional equipment and a very high quality projection."
Christophe Istace, director"This mix of professionalism and artistic sensibility brought an esthetic quality to my film beyond my greatest hopes."
Julien Doigny, director"We took the time to look for the right solutions, burning no bridges (...) The colour grading contributed to reinforcing the original options taken and harmoniously melted in to the film's workflow."
Samuel Tilman, director"I enjoyed working with a serious qualified partner on whom I could count during the whole post-production of my film."
Manuel Dacosse, D.O.P"I was pleasantly surprised by how swiftly the colour grader understood from the start the esthetic intentions we had for the film and his capacity to invest himself and explore our visual desires."
Fanny Friadt, D.O.P"A warm welcome combined with rigorous colourgrading and image correction. (...) The work was accurate, confident and tasteful."
André Dartevelle, director"In record time, Charbon delivered a colour grading of quality!"
Loren Claessens, director"Their work was excellent. They helped me in every way possible and I am very pleased with the result."
Maris De Smedt, director« Michäel works quick and sharp without compromising time and quality. It was very reassuring to know that he truly cared about the project and tried to give his best personal contribution to it. »
Pablo Castilla, film-maker"Working with Charbon is as a being family and advance as far as possible"
Christophe Hermans, film-maker



