Colour Grading
Last artistic step when finishing the image quality of a film, coulour grading harmonizes the colours, the light, but above all, it creates an atmosphere, directs the eye and gives a style.
Means
- Blackmagic DaVinci Resolve : HD real time playback of all formats, including Red 4K, Alexa and DPX
- Tangent Element and Tangent Wave control surfaces
- Colour treatment : CineSpace by Cinetal, LightSpace by LightIllusion, Calman by Spectracal
- Colour analysis Blackmagic Ultrascope, JETI 1211
- projection: HD JVC RS25 1920x1080 projector on 8m2 screen and DLP Projection Design Cineo22 projector on 10m² screen
- sound : calibrated 5.1 (LX75 / Focal 726V HC)
- in-house softwares : for conformation, EDL handling, image sequences management and the creation of LUTs
Filmography
- Couleur de peau : MielCouleur de peau : Mielby Jung and Laurent Boileau
- by Jung and Laurent Boileau
- format Animation, Red, HDV, S16mm, S8mm
- © Artemis Productions, Mosaïques Films...
- 2012
- Parque do FlamengoParque do Flamengoby Sophie Nys
- by Sophie Nys
- © Greta Meert gallery
- 2012
- le Colocateurle Colocateurby Nicolas Monfort
- by Nicolas Monfort
- d.o.p. Jean-François Metz
- format S16mm
- © Un soir un grain
- 2012
- le Prince Miiaoule Prince Miiaouby Marc-Antoine Roudil
- by Marc-Antoine Roudil
- © Alter-Ego Films
- 2011
- Standing EagleStanding Eagleby Frederik Depickere, Pablo Castilla
- by Frederik Depickere, Pablo Castilla
- format DVCPROHD
- © Cobra, CBA
- 2011
- Red RoomRed Roomby Isabella Soupart
- by Isabella Soupart
- © Cobra films
- 2011
- la Version du Loupla Version du Loupby Ann Sirot et Raphaël Balboni
- by Ann Sirot et Raphaël Balboni
- d.o.p. Jorge Piquer Rodriguez
- format 550D
- © Frakas
- 2011
- RafiRafiby Sandra Fassio
- by Sandra Fassio
- d.o.p. Colin Leveque
- format Alexa
- © Neon Rouge
- 2011
- L'Ivresse d'Une OasisL'Ivresse d'Une Oasisby Hachimiya Ahamada
- by Hachimiya Ahamada
- format DV
- © Shõnagon Films
- 2011
- SpectresSpectresby Sven Augustijnen
- by Sven Augustijnen
- format P2
- © Auguste Orts
- 2011
- KyrkogårdsöKyrkogårdsöby Joakim Chardonnens
- by Joakim Chardonnens
- format S16 mm
- © Intermezzo Films
- 2011
- En attenteEn attenteby Naël Khleifi
- by Naël Khleifi
- format DV
- © CBA, Sourat Films
- 2011
- Sderot, seconde classeSderot, seconde classeby Osvalde Lewat
- by Osvalde Lewat
- format HDV
- © AMIP, Waza Images, Neon Rouge
- 2011
- LegbaLegbaby Sarah Hirtt
- by Sarah Hirtt
- d.o.p. Léo Lefèvre
- format HDV
- © Atelier de réalisation
- 2011
- BraiaBraiaby Carole Messmer
- by Carole Messmer
- d.o.p. Nicolas François
- format super-16mm
- 2011
- Corps EtrangerCorps Etrangerby Christophe Hermans
- by Christophe Hermans
- format XDCAM
- © Frakas
- 2011
- Rendez-vous aux cieuxRendez-vous aux cieuxby Rendez-vous aux cieux
- by Rendez-vous aux cieux
- d.o.p. Aurélian Pechmeja
- © Inward Productions
- 2011
- FritkotFritkotby Manuel Poutte
- by Manuel Poutte
- d.o.p. Bernard Vervoort
- format 5d, xdcam
- © Lux Fugit Film
- 2010
- Tao m'a ditTao m'a ditby Léo Médard
- by Léo Médard
- format HDV
- © Insas
- 2010
- AikidoAikidoby Charbon Studio
- by Charbon Studio
- d.o.p. Nicolas François
- format Red 4K et Red 2K @100 fps
- © Arnaud Beelen
- 2010
- DissonanceDissonanceby Anne Leclercq
- by Anne Leclercq
- d.o.p. Raul Fernandez
- format Hdcam
- © Frakas
- 2010
- Ce qui tientCe qui tientby Célia Dessardo
- by Célia Dessardo
- d.o.p. Benjamin Morel
- format xdcam
- © IAD
- 2010
- Claire , ik en mijn broerClaire , ik en mijn broerby Maris De Smedt
- by Maris De Smedt
- format xdcam
- © Sputnik.tv
- 2010
- Après la GaucheAprès la Gaucheby Jérémy Forni
- by Jérémy Forni
- format Red
- © Cie des Phares et Balises, Chevaldeuxtrois, Crossroads digital média
- 2010
- Joueur Hors catégorieJoueur Hors catégorieby Loren Claessens
- by Loren Claessens
- d.o.p. Fanny Friadt
- format Xdcam
- © Mediadiffusion
- 2010
- Métiers d'ArtMétiers d'Artby Lyonnel Garnier
- by Lyonnel Garnier
- format xdcam
- © Image 2 (Switzerland) et Lyonnel Garnier (France)
- 2010
- Mélodies en sous-solMélodies en sous-solby Sébastien Cools
- by Sébastien Cools
- format xdcam
- 2010
- Route 66Route 66by Romu Voye
- by Romu Voye
- format red
- © IAD
- 2010
- Abandon de PosteAbandon de Posteby Mohamed Bouhari
- by Mohamed Bouhari
- d.o.p. Anne Waerenburgh
- format super 16mm
- © Insas
- 2010
- Nuit BlancheNuit Blancheby Samuel Tilman
- by Samuel Tilman
- d.o.p. Frédéric Noirhomme
- format xdcam
- © Eklektik
- 2010
- EcosseEcosseby Julien Doigny
- by Julien Doigny
- d.o.p. Tristan Galand
- format 16mm
- 2010
- De RetourDe Retourby Camille Laufer
- by Camille Laufer
- d.o.p. Pauline Richon
- format xdcam
- 2010
- Mal de mèreMal de mèreby Christophe Istace
- by Christophe Istace
- d.o.p. Michaël Pirard
- format xdcam
- © Loupiote
- 2010
- ThermesThermesby Banu Akseki
- by Banu Akseki
- d.o.p. Manuel Dacosse
- format red
- © Frakas
- 2010
- le Testament Amoureux de Nelle Testament Amoureux de Nelby André Dartevelle
- by André Dartevelle
- d.o.p. Didier Guillain, Nicolas François
- format hdv
- © Halolalune
- 2010
- Hasards AnonymesHasards Anonymesby Natalia Duque
- by Natalia Duque
- d.o.p. Agathe Corniquet
- format Red
- © Insas
- 2010
- Bang BangBang Bangby Raphaël Letoux Lungo
- by Raphaël Letoux Lungo
- © Atelier de réalisation
- 2010
- A l'InterieurA l'Interieurby Raphaël Letoux Lungo
- by Raphaël Letoux Lungo
- format DV
- © Insas
- 2010
- Sredni VashtarSredni Vashtarby Alana Osbourne
- by Alana Osbourne
- d.o.p. Pauline Richon
- format red
- © Atelier de réalisation
- 2010
- OriginesOriginesby Eric Cayron
- by Eric Cayron
- d.o.p. Thierry Goron
- format Red 4K
- © la Rose des Vents
- 2010
- la Ballade d'Almala Ballade d'Almaby Camille Laufer
- by Camille Laufer
- d.o.p. Laure Porter
- format Red
- © Insas
- 2010
- MarthaMarthaby Raphaël Dethier
- by Raphaël Dethier
- d.o.p. Manuel Dacosse
- format red
- © Frakas
- 2010
- un Matin d'Alouhaun Matin d'Alouhaby Delphine Lanson
- by Delphine Lanson
- d.o.p. Cédric Russo
- format h264
- © Anomalie
- 2010
- NargizNargizby Sévara Irgacheva
- by Sévara Irgacheva
- d.o.p. Nicolas François
- format red 4K
- 2010
"A relationship of trust has been established thanks to their great professionalism and concern to understand the needs. The reactivity and flexibility of Charbon made of them a long-term partner. "
Aurélien Bodinaux, Néon Rouge Productions« Committed, creative and precise work »
Sven Augustijnen, film maker"They work rigorously and are technically very competent, which is what you expect at this stage in the film process, and on top of that they have created in their studio a warm and creative atmosphere."
Banu Akseki, film-maker"I appreciated Charbons work; a subtle approach, putting their energy into making the film dramatically stronger, through collaboration and without technical smokescreening."
Raphaël Dethier, director"A competent, serious, available and very comptetive team for the complete post-production workflow of my film ‘Origines’."
Eric Cayron, director"I was very impressed by your rigour, your speed of execution, your efficiency, but also by your ability to listen and your generous imagination."
Anouchka Blavier-Dewarichet, Lux Fugit Film"Serious work completed within the deadlines, intelligent and precise advice, friendly and available: all qualities that allowed me to complete the post-production of my project without unnecessary stress."
Sébastien Cools, director"They know how to put new technologies at the service of the project's artistic needs with a lot of professionalism."
Natalia Duque, director"At Charbon Studio, footage, down to its most minute pixel is worked on with an extreme rigour. Finalising your film in these conditions is just perfect !"
Anne Leclerq, director"Charbon offers precision, they are good listeners, they make real suggestions, creating a dialogue, all this underpinned with professional equipment and a very high quality projection."
Christophe Istace, director"This mix of professionalism and artistic sensibility brought an esthetic quality to my film beyond my greatest hopes."
Julien Doigny, director"We took the time to look for the right solutions, burning no bridges (...) The colour grading contributed to reinforcing the original options taken and harmoniously melted in to the film's workflow."
Samuel Tilman, director"I enjoyed working with a serious qualified partner on whom I could count during the whole post-production of my film."
Manuel Dacosse, D.O.P"I was pleasantly surprised by how swiftly the colour grader understood from the start the esthetic intentions we had for the film and his capacity to invest himself and explore our visual desires."
Fanny Friadt, D.O.P"A warm welcome combined with rigorous colourgrading and image correction. (...) The work was accurate, confident and tasteful."
André Dartevelle, director"In record time, Charbon delivered a colour grading of quality!"
Loren Claessens, director"Their work was excellent. They helped me in every way possible and I am very pleased with the result."
Maris De Smedt, director"Michäel works quick and sharp without compromising time and quality. It was very reassuring to know that he truly cared about the project and tried to give his best personal contribution to it."
Pablo Castilla, film-maker"Working with Charbon is as a being within family and advance as far as possible"
Christophe Hermans, film-maker